Anthem recently interviewed me for his Art Of Hustle podcast (this is forthcoming in the next couple of weeks), and this was a great conversation as always. We remembered that I was the first working artist interviewed for Art of Hustle, back in 2011! Since then, I have been told that one Pinoy writer applied to (and was admitted to) his MFA program as a direct result of listening to our 2011 interview.
Also, as I told Anthem, these days, I am finding a lot of young Pinay writers who are in the hustle themselves, immersed in their own writing education and publishing processes. He reminded me that back in 2011, I was encountering a lot of aspiring and emerging writers who presented themselves to me as unorganized, clueless, and unproductive about the entire process of writing, workshopping, editing, revising, researching for publication, submitting work; and adding to these things, there felt like a lot of people who came to me out of the woodwork, to tap me as a “resource,” assuming I would hook them up with my publishers and editors, without proper etiquette, without polished manuscripts in hand, without working knowledge of the process or the industry.
What’s changed in these last three years, Anthem asked. I told him I thought all of this social media may have something to do with it, the ease of finding communities of like-minded artistic folk, the ease of creating online workshops, journals and magazines, having so much information immediately available at their fingertips. It really would be a shame for anyone to squander this kind of access and availability.
Afterwards (off mic), I told him: the difference is who I am choosing to surround myself with these days — writers and artists who are self-reliant, who are hustlers, who are proactively figuring it out, who are actively reading other texts, who are building their bodies of work with a growing knowledge of what is out there — what informing bodies of text, what informing cultural productions are out there in the physical and virtual world. So then, appropriately equipped, this idea of where a writer envisions herself, given a growing knowledge of what is out there, and figuring out what the steps are to get there.
I think these days, it’s about having a fine filter — for myself as a mentor, in terms of who I can truly/realistically support and how (see above). Perhaps it’s my growing experience as an educator in literature and the arts, which has confirmed for me what I think I have always known about who you can ultimately reach, and who wants to be educated, versus who wants to mine you for connections. I think instead of whose work ethic best matches my own. And very importantly, what is the responsibility of the student or the mentee, but to be open to the learning experience, and to work for his or her own learning and growth.
This reminds me of the times in community writing workshops, back when I was a student myself. I remember some classmates refusing to read, comment on, to process poetry that was “too hard,” which really, could mean anything. Here then, the expectation is that meaning would be simply given to them, and that they would not have to lift a finger for that meaning.
I am not sympathetic anymore with folks who espouse that belief. You arrive at meaning by using your brains, your reading skills, your thinking skills, and your empathy. Here, “reading” is surely about text, about your experience with a text, as a reader with experience reading other texts, as a human being in this world, who is paying attention to this world and handling it critically, and emotionally, and intuitively.
So, filters then. We all need to develop these. Or lenses in the process of being focused! Everything can be a good idea and a worthy goal, but then you have to prioritize. I won’t give away the whole interview! Suffice it to say, my biggest lesson as a working artist and educator is about that filter, and the support system, the like-minded community of working artists and hustlers. The filter also includes the ways in which I tend to my own work and life. Healthy ecosystems. Minimal drama.